R U B I N S T E I N

The Musician

“DISCOVER THE GENIUS LANDSCAPE THAT DONALD RUBINSTEIN HAS SCULPTED OVER THE LAST FEW DECADES…THIS IS THE FIRST TIME I HAVE EVER USED THE WORD “IMPORTANT” TO DESCRIBE AN ALBUM.” Adobe Airstream: The Magazine For Citizens of Culture

“DONALD RUBINSTEIN’S NOVEL, UNPREDICTABLE, ONE-MAN SHOW IS HARD TO MATCH…STUNNING, HOUSE-SHAKING…HAUNTINGLY BEAUTIFUL.” LA Weekly

1. MUSIC COMPOSITION FOR FILM, TELEVISION, AND CONCERT HALL.

2. ORIGINAL SONGS INFLUENCED BY ROOTS, JAZZ, ROCK, MODERN CLASSICAL, AND PERFORMANCE ART.

3. GALLERY AND MUSEUM EXHIBITIONS.

“DONALD RUBINSTEIN MUST HAVE THE ODDEST MUSE IN THE WORLD, AND ALSO ONE OF THE BEST. HE’S GOT ENOUGH WEIRD, POETIC/MUSICAL GENIUS IN HIS BRAIN TO RIVAL JIM MORRISON.” Santa Fe Reporter

“A POET IN A DYLANESQUE VEIN, RUBINSTEIN’S SINGING VOICE REMINDS ME OF A TIRED, MORE WORLD-WEARY BRUCE SPRINGSTEEN. IN THE SINGER SONGWRITER VIEIN, I’D RATHER HEAR RUBINSTEIN THAN ANY OF THE MORE POPULAR ARTISTS.” Robert Iannapollo, Cadence Magazine

DONALD RUBINSTEIN made his musical debut at age 25 composing the score for George A. Romero’s cult classic, feature film, Martin. It was named one of the “The 100 Coolest Movie Soundtracks of All Time” by Mojo magazine (2002). Rubinstein's interdisciplinary work includes: numerous film and television scores, concert works, over 300 original songs, 27 CDs of original music, three original theatrical works, gallery and museum exhibitions, four books of poetry, and the creation of over 20 short films.  

Fingers (Rhombus Records), a duet with guitarist Bill Frisell, was included on Jazziz Magazine’s 20th anniversary CD, A Celebration of the Modern Era, with Miles Davis, Charlie Parker, Cassandra Wilson, and Tony Bennet.  He co-wrote Ain't Nothin' Like a Friend (Lakeshore Records), with Ed Harris, for the director’s feature film Appaloosa. Rubinstein has also collaborated with artists as varied as Terry Allen, Brother Blue, John Densmore, Robin Holcomb, Michael Gregory Jackson, Lloyd Maines, Ra-Kalam Bob Moses, Hani Naser, Orchestre Philharmonique de Radio France, Hank Roberts, Kiki Smith, and many more.

Donald Rubinstein was awarded a fellowship and residency, via nomination, from The Robert Rauschenberg Foundation (2014). He is the recipient of The Ascap Special Award in Theater Arts. Rubinstein has been exhibited in multiple one-person exhibitions, as well as at The Museum of Modern Art, and The Whitney Museum of American Art in collaboration with Kiki Smith. Three new studio recordings of Donald Rubinstein’s music will be released from OCTOBER 19TH - DECEMBER 21ST, 2019. They will include The Famous Singer, Eternity, and 36 Year Serenade, a compilation of Rubinstein songs recorded by various artists.

“Standout songs…beautiful tunes…devoid of transitory trendiness.” Los Angeles Times

“The music was composed and played by pianist/poet, Donald Rubinstein…minimal, sad, lovely, melancholy and touching. Perfect for a moody flick.” New York Downtown Music Gallery

“Rubinstein is an unequivocal, card-carrying visionary, a sonic gardener whose technicolor orchard bears fruit of strange shades and unexpected tones.” John Kruth, “Dawn Imagined”

Waiting Room, Rubinstein

“Donald Rubinstein's experimental soundtrack- comparisons to Hitchcock composer Bernard Herman, Krzysztof Komeda's score for Polanski's Dance of the Vampires, impressionistic pianist Bill Evans, free jazz saxophonist Ornette Coleman…packed with innovation and psychological ticks…A mood piece as introspective as it is prismatic.” A. Loudermilk POPMatters

"Paper Pieces for Key Board" is a contemplative collection of piano solos...This is one of the CDs – along with the Bach violin solos by Christiane Edinger and the Bach cello solos by at least three different people – that I can happily lose myself in, wandering through the black-and-white “landscape” of the keyboards. Tom Geddie, Buddy Magazine

“If I were a smarter human being I would now invent a word that would explain exactly how freakin’ cool and original in thought and execution, Donald Rubinstein is with his music. This new word would have to embody the talent that you hear within the first 30 seconds of your first Donald Rubinstein song, that puts your brain on some new rails you didn’t even know existed between your ears.” Groovey, Adobe Airstream: The Magazine For Citizens of Culture

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