SOUNDTRACKS  

  “If I could work with "D" (Donald Rubinstein) on every film I ever made, I’d do it...He comes into the room, wants to know what the film’s about, and then works with you to completely realize the film for what it’s meant to be. He’s the purest guy I’ve ever worked with.."  George A. Romero, Director 2007

“George Romero’s deeply disturbing portrait of a modern day ‘vampire’ comes with an equally chilling score – haunting, minimalist jazz penned and performed by pianist-poet Donald Rubinstein…High art. One of the top 100 coolest film scores of all time.” Mojo Magazine 2002

Soundtracks: drmusicart@gmail.com Attention: Paloma

                        Fire in the City

                        Fire in the City

Martin (1977) Directed by George A. Romero, score

Knightriders (1981) Directed by George A. Romero, score

Tales From The Darkside (1984-1987) Main Title and episodic music, Television Series. score

Monsters (1988) Main title Television Series, score

Tales From The Darkside: The Movie (1990) Directed by John Harrison, score

The Summer of My Deflowering (1999) Directed by Susan Streitfeld, score

Bruiser (2000) Directed by George A. Romero, score

Pollock (2000) Directed by Ed Harris, (Commissioned, Unused Score)

Tangled Up In Bob (2007) Directed by Mary Feidt, score and songs

The Open Door (2008) Directed by Doc Duhame, songs

Appaloosa (2008) Directed by Ed Harris, song co-written with Ed Harris for soundtrack release.

Dirty Step Upstage (2009) Directed by Amber Moelter, score

Absolutely Nothing Next 22 Miles, A Fugue For Motorcycle (2012) Directed by Miguel Grunstein, score

Unlikely Friends (2012) Directed by Leslie Neale, songs

Blender (2015) Directed by Susann Reck, score

Cold City Heaven (2017) Directed by Donald Rubinstein, score

Painting / Unpainting (2017) Video by James Drake, Music by Donald Rubinstein

 

                      The Dream Adjustor

                      The Dream Adjustor

“His (Donald Rubinstein’s) art ranges from sophisticated music compositions to prints reminiscent of the characters in South Park. He is articulate, accomplished, and driven and he has never stuck to just one thing at a time. Almost everything he produces is an amalgam of forms and disciplines and they all have a spark. His works have a tension; a sense of questions asked and seldom answered that hint of the possibilities just outside the boundaries of what we understand.”  Destiny Alison, Santa Fe.com